Fluorescent lighting isn’t exactly the sexiest invention known to man but somehow Dan Flavin mastered transforming this mundane and sometimes annoyingly buzzing source of light into magical works of art. A minimalist who referred to himself as a “Maximalist”, Flavin was able to create transcendent, futuristic teleports through fluorescent light tubes and bend reality in ways that were so delicate yet strikingly alluring at the same time. Last month, I was glad to have been able to actively explore perceptions of space through the beautifully curated, “Corners, Barriers, and Corridors,” a collection of some of Flavin’s noted works from the 1960s and 70s at David Zwirner Gallery in New York City. Though the exhibit has since ended, Dan Flavin’s pieces still conjure up many thoughts on duality which have helped expand my definitions on style and aesthetics. While at the gallery, I unknowingly started to play with binary oppositions like femininity vs. masculinity, anonymity vs. recognition through the masking silhouettes, tones and shadows formed from the different color gradations of each piece. Here are some …